HUNG is a melodic/progressive death metal band based in New York City that transcends even its own musical definitions. Right off the bat, with its unusual line-up of electric violin and guitar switching off on leads, HUNG challenges the norm. Their music, epic in scope, moves fluently between brutal, aggressive riffs to eerily beautiful melodies to daredevil, virtuosic passages, all while maintaining its own distinct and cohesive sound.

Lyris Hung, the violinist, founded the band with guitarist Evil Jon and bassist Sam Roon, the two of whom had worked together previously in Masque of the Red Death. Moscow-born growler Dmitry Kostitsyn takes the frontman position.

Though the members of HUNG share a love of metal, they each come from a wide array of influences, ranging from classical to jazz and rock. They brought these musical experiences together, creating a sound that is at once paying homage to the masters of European death metal and strikingly different. Within six months of their first show together, HUNG had already shared the bill with bands such as Full Blown Chaos, Subzero, God Forbid, Macabre, Soilwork, Darkest Hour, Warblade and many others. In their first year and a half, they had toured New England and the Midwest, received a Coffin Case endorsement and performed almost 50 shows.

HUNG's second album, Progeny, was recorded by Eric Rachel (God Forbid, Symphony X, Black Dahlia Murder) and mastered by the legendary Alan Douches. With five tracks and a running time of almost 35 minutes, Progeny is at once concise in its storytelling and immense and dynamic in its range. From the opening title track, a piece which demonstrates the band's ability to weave intricate melodies and harmonies, to the Desert of Sad and Maria, a pair of dark and driven death metal anthems, to the twistedly militaristic Wishing Scar and the brutally epic finale Sediment of War, HUNG makes its mark on the metal scene – and it is a lasting one.